One of Wordsworth's most famous poems is "Daffodils.
Everyone claims to know the meaning of the word romantic. The word conveys notions of sentiment and sentimentality, a visionary or idealistic lack of reality.
It connotes fantasy and fiction. It has been associated with different times and with distant places: Advertising links it with the effects of lipstick, perfume and soap.
If we could ask the advertising genius who, fifty years ago, came up with the brilliant cigarette campaign, "blow some my way," he may have responded with "it's romantic. Yet we use the expression freely and casually "a romantic, candle-lit dinner". But literary historians and critics as well as European historians have been quarreling over the meaning of the word Romanticism for decades, as Lovejoy's comment above makes abundantly clear.
One of the problems is that the Romantics were liberals and conservatives, revolutionaries and reactionaries. Some were preoccupied with God, others were atheistic to the core.
Some began their lives as devout Catholics, lived as ardent revolutionaries and died as staunch conservatives. The expression Romantic gained currency during its own time, roughly However, even within its own period of existence, few Romantics would have agreed on a general meaning.
Perhaps this tells us something.
To speak of a Romantic era is to identify a period in which certain ideas and attitudes arose, gained currency and in most areas of intellectual endeavor, became dominant. That is, they became the dominant mode of expression.
Which tells us something else about the Romantics: Just the same, older ideas did not simply wither away. Romantic ideas arose both as implicit and explicit criticisms of 18th century Enlightenment thought see Lecture 9. For the most part, these ideas were generated by a sense of inadequacy with the dominant ideals of the Enlightenment and of the society that produced them.
You could go as far as to say that Romanticism reflected a crisis in Enlightenment thought itself, a crisis which shook the comfortable 18th century philosophe out of his intellectual single-mindedness.
The Romantics were conscious of their unique destiny. In fact, it was self-consciousness which appears as one of the keys elements of Romanticism itself. The philosophes were too objective -- they chose to see human nature as something uniform.
The philosophes had also attacked the Church because it blocked human reason. The Romantics attacked the Enlightenment because it blocked the free play of the emotions and creativity.
The philosophe had turned man into a soulless, thinking machine -- a robot.The Transition between Romantic Era to Realism Movement Essay - In the late eighteenth century, a movement spread throughout the world that was known as the Romantic Era.
The works of authors, artists, and musicians were influenced by emotions and imagination. The Romantic literature of the nineteenth century holds in its topics the ideals of the time period, concentrating on emotion, nature, and the expression of "nothing." The Romantic era was one that focused on the commonality of humankind and, while using emotion and nature; the poets and their works shed light on people's universal natures.
With the upsurge of technology growth in Europe during the Industrial Revolution and the up rise in nationalism, the Romantic Era developed during the nineteenth century. The themes and main sentiments of Romanticism spread across Europe and the Americas through art, literature, philosophy, and /5(8).
Apr 03, · Romantic Literature Essay Topics/Thesis Ideas. Updated on July 22, Holle Abee. more.
Here’s an idea for an essay on romantic literature: The use of myth and the supernatural. Several romantic authors were fascinated by the unusual, the exotic, and mythology. The Era of Romanticism: Coleridge, Wordsworth & Blake. by Cathy 7. pfmlures.coms: 2. The Romantic Era was a period in music in which there was much change during the s to the s in the theory and compositional practice.
The Romantic period Another key quality of Romantic writing was its shift from the mimetic, or imitative, assumptions of the Neoclassical era to a new stress on imagination. who were ignorant that the phrase is Dryden’s or that the type was adumbrated in the “poor Indian” of Pope’s An Essay on Man.
A further sign of the.